Category: Podcaster

Blog posts involving podcasters with technical problems

  • Optimizing Voiceover Recording: Fixing Noise and Setting Gain on Focusrite Scarlett

    Optimizing Voiceover Recording: Fixing Noise and Setting Gain on Focusrite Scarlett

    Last week I connected with a voiceover artist via my profile on the website Fiverr. During that session I supported her by diagnosing that the Auto-Gain feature on her Focusrite Scarlett 2i2 audio interface was the cause of noise problems in her home studio.

    We connected again a week later for another session using WhatsApp video and AnyDesk remote desktop. We started the session by making a few test recordings in Audacity and confirming that the noise issues we had experienced last week were definitely resolved. I was pleased to hear that the recordings now sounded much cleaner.

    We went back to the list my client had sent over with her brief for the gig:

    • Guidance on mic placement
    • Settings like gain
    • How I can lower my noise floor?
    • Which software I should use?
    • How I should be processing my sound? 

    Positioning the Microphone

    My client moved her phone inside her vocal booth and via WhatsApp video I could see her mic setup. Her mic was set up correctly, and I could see was recording at the right distance from the microphone. I made a small recommendation that she raise the mic slightly so the gold dot on the front of her Rode NT1a was more inline with her nose rather than her chin. We made a couple of test recordings and my client could hear the difference in the tone of her voice with the mic in both positions.

    Audio Interface Settings

    We made a few more test recording and experimented with the best gain settings on my client’s Focusrite Scarlett 2i2 interface. I showed my client how to find the best level for her voice. We wanted to achieve a strong signal but not allow any clipping. I explained that for her professional voiceover recordings, we didn’t want to use the Auto-gain feature. As this could add volume changes in the recording, which would be a pain for an editor to deal with at the next stage of production.

    Recommending Software

    My client already had the audio recording and editing apps TwistedWave and Audacity installed on her Mac. I recommended that for the next stage of our session we switch to using GarageBand.

    Garageband is a stripped-down version of Logic Pro and its basic editing features aren’t really suitable for her use as a voiceover artist. What GarageBand did allow us to do is add plug-ins to the audio and monitor the changes to the plug-in’s settings in real-time.

    I recommended Logic Pro as the best Digital Audio Workstation for my client in terms of value and features. Especially if she needed to record and edit long-form projects such as audiobooks or podcasts. For recording short clips such as a radio advert then Audacity, TwistedWave or Garageband would be fine.

    Sound Processing

    I advised my client that any sound processing she applied would depend on the brief of the project. For voiceover work, most clients would be looking for her to send them cleanly recorded, unprocessed audio. For some projects, the client might ask her to apply her own effects before sending the recordings.

    I gave my client a short lesson in how to add audio effects in Garageband. I recommended:

    • Use Channel EQ to roll off the very lowest frequencies of the recording.
    • Use the RX De-Noise plugin with a gentle preset for subtle audio clean-up
    • Use a compressor with a preset designed for voiceover artists to tame any volume peaks.

    My client and I spent the remainder of our session experimenting with the settings on these effects to find the best settings that suited her voice.

    Conclusion

    At the end of our second session, my client reported that we had answered all of her questions and that she was now very happy with the sound of her vocal recordings. She felt confident that there were no technical issues holding her back from submitting for auditions and projects.

    Review

    After the session, my client was kind enough to leave me another nice review:

    Paul is fantastic to work with – he solved my immediate issues and also gave excellent suggestions to improve my recording setup. We’ve had two sessions so far, and I will definitely work with him again whenever I need help from a pro.

    Expert Audio Help Available

    If you’re a voiceover artist looking for expert assistance in setting up your home studio, based on our real-world experience, don’t hesitate to get in touch.

    Categories: , , , ,

    No automated tickets, no waiting queues — just one-to-one help from an experienced music technology specialist. I’ll connect to your system remotely, identify the issue, and guide you through the fix.

    Recent problems solved for real clients.

    Optimising Logic Pro CPU Usage for Large Orchestral Mixes

    Client’s Question

    Why does Logic Pro keep crashing when I add plugins to my tracks?

    Session Result

    CPU load drastically reduced; mix workflow stabilised via bus routing.

    Read Full Case Study Report: Optimizing Voiceover Recording: Fixing Noise and Setting Gain on Focusrite Scarlett
    Preparing for a Studio Hardware Installation

    Client’s Question

    What cables do I need to connect my hardware synths to my mixer?

    Session Result

    Equipment audited, cable inventory confirmed, site visit planned.

    Read Full Case Study Report: Optimizing Voiceover Recording: Fixing Noise and Setting Gain on Focusrite Scarlett
    Mono Microphone Only in Left Speaker Fix in Logic Pro

    Client’s Question

    Why is my mono mic input only coming out of the left speaker in Logic Pro?

    Session Result

    Mono input successfully centred by changing Logic Pro track format from Stereo to Mono.

    Read Full Case Study Report: Optimizing Voiceover Recording: Fixing Noise and Setting Gain on Focusrite Scarlett
    Managing Native Instruments Komplete Libraries in Kontakt

    Client’s Question

    How do I hide unwanted libraries in the Kontakt side pane?

    Session Result

    Unused libraries hidden, visual clutter removed.

    Read Full Case Study Report: Optimizing Voiceover Recording: Fixing Noise and Setting Gain on Focusrite Scarlett
  • Focusrite Scarlett Setup for Voice Actor: Getting Clean Recordings with Audacity on Mac

    Focusrite Scarlett Setup for Voice Actor: Getting Clean Recordings with Audacity on Mac

    This week I took my second booking via the website Fiverr.

    https://www.fiverr.com/paulandrews369/help-you-with-your-focusrite-scarlett-audio-interface

    I was contacted by a voice actor who had already purchased recording equipment for his new home studio:

    • MacBook
    • Audacity Software
    • Focusrite Scarlett 2i2 audio interface
    • Rode NT1a microphone
    • Cables
    • Headphones

    He was now a bit stuck getting everything working, so he booked me for some professional guidance.

    After finding my profile and reaching out to me on Fiverr we arranged a date and time to connect. A few days later I called my client on WhatsApp video for the start of our one-hour support session. Once my client and I were speaking and connected via AnyDesk this is how we spent the session:

    We made our introductions and confirmed the plan for the session.

    We started by getting everything physically set up. I talked my client through how and where to make the connections for the USB, microphone and headphone cables.

    My client had already installed Focusrite Control on his Mac and we opened it up. We could see that that level meters were picking up signal from the microphone. I explained that the Gain controls allow us to set the right microphone sensitivity level for different vocal performances.

    My client tested the microphone and he adjusted the Analogue 1 Gain control to find the right level for him. I showed my client how the wrong gain settings would result in distorted audio and should be avoided.

    Now that that mic was connected and working, we opened Audacity to make a recording. I showed my client how to find Audacity’s Audio Setup options and how to set Focusrite Scarlett as the Input and Output recording device.

    We made a test recording and my client was pleased to hear that his voice was recorded cleanly and sounding great.

    I showed my client how he could use Audacity’s editing functions to remove the unwanted start and end of his recording.

    I showed my client how to export the recording as a WAV file and save it on his Mac. We had a conversation about file formats and what he would be likely to be working with when taking on voice actor gigs.

    We made sure my client was comfortable with everything so far by making another test recording with him taking charge of all the steps.

    I made a recommendation that my client invest in a small headphone amplifier, as the output impedance of his Focusrite Scarlett 2i2 wasn’t a match for his Audio Technica studio headphones. Playback of his recordings would sound quiet with that headphones/audio interface combination. A headphone amp would boost the signal and would be better for monitoring his recordings while recording.

    We discussed if Audacity was the best software for recording. I advised it was great for recording short clips, but if his plan was to move on to recording audiobooks or podcasts, then Logic Pro would be a better choice. I suggested that GarageBand would be a good upgrade from Audacity for now.

    At the end of our hour, my client was very happy that he had all his equipment working and he was now confident making basic recordings by himself. He very kindly took the time to leave me a nice review on Fiverr:

    Categories: , , , ,

    No automated tickets, no waiting queues — just one-to-one help from an experienced music technology specialist. I’ll connect to your system remotely, identify the issue, and guide you through the fix.

    Recent problems solved for real clients.

    Optimising Logic Pro CPU Usage for Large Orchestral Mixes

    Client’s Question

    Why does Logic Pro keep crashing when I add plugins to my tracks?

    Session Result

    CPU load drastically reduced; mix workflow stabilised via bus routing.

    Read Full Case Study Report: Focusrite Scarlett Setup for Voice Actor: Getting Clean Recordings with Audacity on Mac
    Preparing for a Studio Hardware Installation

    Client’s Question

    What cables do I need to connect my hardware synths to my mixer?

    Session Result

    Equipment audited, cable inventory confirmed, site visit planned.

    Read Full Case Study Report: Focusrite Scarlett Setup for Voice Actor: Getting Clean Recordings with Audacity on Mac
    Mono Microphone Only in Left Speaker Fix in Logic Pro

    Client’s Question

    Why is my mono mic input only coming out of the left speaker in Logic Pro?

    Session Result

    Mono input successfully centred by changing Logic Pro track format from Stereo to Mono.

    Read Full Case Study Report: Focusrite Scarlett Setup for Voice Actor: Getting Clean Recordings with Audacity on Mac
    Managing Native Instruments Komplete Libraries in Kontakt

    Client’s Question

    How do I hide unwanted libraries in the Kontakt side pane?

    Session Result

    Unused libraries hidden, visual clutter removed.

    Read Full Case Study Report: Focusrite Scarlett Setup for Voice Actor: Getting Clean Recordings with Audacity on Mac
  • Visit to podcast studio in East London to help with noise problems

    Visit to podcast studio in East London to help with noise problems

    Visited a podcast studio in East London to help with noise problems in their podcasting studio. Went though the signal path in depth and found the main culprit for the added noise was the processing features on the RODE RODECASTER Pro 2. Selected the right settings for their microphones and turned off the compression and enhancers (which weren’t needed in their setup) which dramatically reduced the noise. Also found that the unbalanced jack to XLR cables they were using to their monitor speakers were adding noise. Changed to balanced XLR cables and all the noise was gone.

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