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Fixing Fuzzy High Notes for a Twitch/YouTube Singer

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fuzzy vocal recordings solved

The client, a singer and content creator in the United States, streamed live karaoke-style sessions on platforms like Twitch and YouTube. His main issue was audio distortion: whenever he sang high notes and projected loudly, the microphone signal became fuzzy and distorted. He was seeking advice on what plugins he could use to clean up the sound, believing the fix was post-processing.

He was using a professional home studio setup: a Shure SM7B microphone running into a Focusrite Scarlett 2i2 audio interface. The technical issue was directly impacting his ability to stream confidently and professionally.

The client was convinced the problem lay with the need for corrective plugins. However, my immediate thought was to examine the core signal path before the computer. When diagnosing audio issues, I always look for the point where the signal first clips or distorts. This is almost always a hardware issue, not a software one.

I checked the settings on his Focusrite Scarlett 2i2 audio interface. The gain control was set too high. This meant that while his speaking voice sounded fine, the moment he hit a loud, high note, the raw signal coming from the mic was overloading the preamp in the interface. This resulted in analogue clipping, which is impossible to fix with any software plugin afterwards.

The solution involved a combination of hardware and software adjustments that addressed the problem at its source.

First, I guided him to reduce the gain control on the Focusrite Scarlett interface. This immediately stopped the clipping at the preamp stage, giving us a clean, undistorted signal, even on his loudest notes.

Second, we made physical adjustments to the microphone technique. I advised him to bring the Shure SM7B slightly closer to his mouth to maximise the clean signal level while keeping the gain low on the interface. We also utilised the switches on the back of the SM7B to introduce a subtle high-frequency boost (brightness) and roll off unnecessary sub-low frequencies.

With the core issue resolved, the focus shifted to achieving the professional, polished “karaoke sound” the client wanted for his streams. Since his audio was running through OBS, we set up a simple chain of effects filters directly in the streaming software.

We established a clean processing chain:

  • Gain to add a final boost and achieve the desired output volume.
  • Compressor to level out the dynamics, controlling the difference between his softest and loudest notes. This is essential for consistent streaming audio.
  • EQ (Equaliser) to fine-tune the tone of his voice, adding clarity and brightness.
  • Limiter to act as a final safety net, ensuring no digital clipping occurred within OBS.

Finally, we looked at adding reverb. I recommended and helped him install a free, high-quality VST plugin, the TAL-Reverb-4, and showed him how to set up the sends in OBS. We spent the last part of the session testing the settings and making sure he knew how to switch the effect on and off, giving him full control.

The client was delighted with the outcome. His voice was now coming through the stream cleanly, brightly, and with consistent volume, even when he sang high and loud. The distortion was gone, and he had a professionally configured effects chain with the reverb he wanted. He was now fully equipped and confident to stream his singing on Twitch and YouTube.

This session perfectly illustrates the importance of a holistic diagnosis. The client assumed a complex software solution was needed, wanting to fix the issue with more plugins. However, the root cause was a simple hardware gain staging error at the very start of the signal path. If you overload the preamp, no amount of software correction can recover the sound. I help musicians, producers, and audio professionals solve problems like this every day by looking at the full signal chain, not just one piece of gear.

I help musicians and producers worldwide solve problems like this every day. If you’re struggling with distortion on your stream or can’t get your DAW and hardware working correctly, I’ll help you find the real cause and get you back to creating.

No automated tickets, no waiting queues — just one-to-one help from an experienced music technology specialist. I’ll connect to your system remotely, identify the issue, and guide you through the fix.

I usually reply to enquiries within a few hours during UK weekday daytime.

Once you make an enquiry, I’ll read it personally and reply with initial advice or a link to book a remote session if needed.

For booked sessions, you’ll receive a secure AnyDesk link and we’ll talk via WhatsApp or voice chat. Sessions last up to an hour — long enough to diagnose the cause and apply a practical fix.

How soon can you help me?

Usually within 1–2 days. Use the booking system below to find the next available slot.

How do remote sessions work?

We connect via AnyDesk for secure screen sharing and talk via WhatsApp or Google Meet. I guide you live.

What does it cost?

£90 per hour for remote troubleshooting (approx. $110 / €120). Paid securely via SimplyBook.

What if the problem isn’t fixed in one session?

You’ll get a clear plan: next steps, parts to order (if any), and an estimate for follow-up.

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